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Postmodern Jukebox

When:

Fri 5 Oct 2018, 8:00pm–11:00pm

Where: Auckland Town Hall - Great Hall, 303 Queen St, CBD, Auckland

Restrictions: All Ages Licensed

Related Artists:

Listed by: nicole363

New Zealand loves Postmodern Jukebox! Following three successful tours in as many years, the multi-talented collective will bring their re-imagined contemporary pop, rock and R&B hits in the style of various yesteryears back to eagerly awaiting fans in 2018.

PMJ’s New Zealand tour opens up in Tauranga on Tuesday 2 October and moves on to Napier on Wednesday 3 October, Auckland on Friday 5 October, New Plymouth on Saturday 6 October and Wellington on Sunday 7 October before winding up in Christchurch on Monday 8 October.

Tickets go on sale at 10am local time on Friday 9 February for the six-city tour.

Each time around, PMJ looks forward to bringing their unique spin on modern pop hits and retro pop stylings to new cities for the first time, as well as revisiting favourite haunts that welcome them back with eagerly open arms. And as any PMJ fan can tell you, the experience is never the same twice, with new songs, new sounds, and new members added to the ever-growing family each time around.

Since Bradlee created the project in 2009, PMJ has amassed more than 900 million YouTube views
and 3.2 million subscribers, chalked up more than 1 million likes on Facebook, performed on “Good
Morning America,” topped iTunes and Billboard charts, caught the attention of NPR Music and NBC
News, and played hundreds of shows to sold-out houses around the world.

That seemingly exhausting pace hasn’t stopped Bradlee from arranging and recording new arrangements every week for PMJ’s legion of fans.

Imagine marrying the 21st century party vibe of Miley Cyrus or the minimalist angst of Radiohead with the crackly warmth of a vintage 78 or the plunger-muted barrelhouse howl of a forgotten Kansas City jazzman. Bradlee’s choice of material ranges from the ‘80s hard rock of Guns N’ Roses to hits as recent as 2015’s Justin Bieber plea “Sorry.” They’re rendered by a rotating cast of musicians and singers in fashions that date back to a time when Axl, Slash and Bieber’s parents had yet to be born – a time of street corner harmonies and torch singers, blues belters and golden-voiced crooners.

Last year, PMJ collected 18 favourites to compile The Essentials for Concord Records. The album featured the songs that Bradlee has called “most essential to the PMJ universe,” including hits by Beyoncé, the White Stripes, Lorde, Outkast and Maroon 5 – along with the song that put the band on the map, a vaudevillian distressing of Macklemore & Ryan Lewis’ “Thrift Shop” fronted by Robyn Adele Anderson that garnered more than a million views within a week of being posted. The pin-up styled singer returned for the album’s opener, their ‘50s doo-wop version of Miley Cyrus’ celebration of an inhibition-shedding spree, “We Can’t Stop,” which garnered more than 19.5 million views and was named one of the “9 Best Viral Cover Videos of 2015” by People magazine.

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