Still Looking: Peter McLeavey and The Last Photograph

When:

Thu 13 Dec 2018, 11:00am–5:00pm
Fri 14 Dec 2018, 11:00am–5:00pm
Sat 15 Dec 2018, 11:00am–5:00pm
Sun 16 Dec 2018, 11:00am–5:00pm
Tue 18 Dec 2018, 11:00am–5:00pm
Wed 19 Dec 2018, 11:00am–5:00pm
Thu 20 Dec 2018, 11:00am–5:00pm

Where: Adam Art Gallery, Victoria University, Kelburn Parade, Gate 3, Wellington

Restrictions: All Ages

Ticket Information:

  • Admission: Free

Website:

Listed by: ann811

This exhibition explores the quest described above by Peter McLeavey. Unbeknownst to many, McLeavey spent almost thirty years collecting photographs, amassing a world-class ensemble of prints by some of the medium’s most significant figures.

These include William Henry Fox Talbot, Charles Clifford, Francis Frith, Eugène Atget, Berenice Abbott, Bill Brandt, Dorothea Lange, Robert Frank, and Joel-Peter Witkin. McLeavey also collected related examples of photo-media, such as photogravures by Léon Vidal, James Nasmyth, and Loewy and Puiseaux, and lithographs by Joseph Beuys, Barbara Kruger and Sherrie Levine. In addition, he acquired numerous examples of New Zealand photographs, from ambrotypes and albumen prints to contemporary art.

McLeavey claimed that ‘collections are essentially maps of the self. A diary of the self. They reflect back the lives of the collectors.’ Still Looking takes up this proposition, tracing the trajectory of McLeavey’s own collecting and measuring it against his itinerant childhood, his Catholicism, and his various intellectual, emotional and aesthetic interests.

Welcoming the opportunity to pursue art works that he wasn’t selling himself, McLeavey tended to collect particular photographers in depth and after considerable research and consideration. Most of his photographs were acquired from leading dealers in the United States and are among the finest prints by these artists that were available. McLeavey also framed each photograph in an individually designed molding, accentuating certain aspects of each image and imposing a personal perspective on the viewing experience.

The exhibition features an array of photographic images in a variety of media, along with letters and catalogues related to McLeavey’s purchases, providing a unique opportunity to reflect on the nature of collecting and to invite each visitor to ask what their own ‘last photograph’ might be.

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