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Opening Celebration: 'Urban Tapa: By Sefton Rani'

Where: Virtual Location, Online, Virtual

Restrictions: All Ages

Listed by: Lake House Arts

Lake House Arts Interactive (LHAI) is a new initiative to engage our community in exciting and original online content during the COVID-19 Community Phase 4 Isolation, and beyond.

From Monday March 30th 2020 we will begin uploading arts and community videos/activities for adults and kids to enjoy and participate in. Our art classes are going online too! There will be links to additional content and activities and you will be able to share your content and creations for interactive collabs. Look for our content schedule being prepared today and uploaded over the weekend. Links to all content will be on our Facebook Page, so LIKE US for all the latest updates.

https://www.facebook.com/LakeHouseArtsCentre/

We hope you will stay tuned and bear with us while we all find our feet in this brand new territory for our teachers, artists, and collaborators.

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Sefton Rani has always been drawn to the stimulus of wabi sabi, the Japanese aesthetic described as the “beauty that is imperfect, impermanent and incomplete”. During his travels this influence has presented itself in many forms from antique Thangka paintings in Buddhist monasteries, to urban graffiti or the decayed walls of old buildings. This sensibility is integrated with his Polynesian heritage to create work which he calls “urban tapa”. The concept is taking the traditional form of tapa and reenergising it with modern materials, methods and motifs that reflect the contemporary environment we live in.

While working in a paint factory, Sefton had the opportunity to experience paint not as a decorative element loaded with pigment and squeezed from a tube but as a consumer product mixed in tanks that held up to 10,000 litres with materials loaded from 25kg sacks. Paint became an object. Looking at that factory with the build-up of years of spilt paint and other industrial detritus, an imprint was forged that influences Sefton’s work today.

Sefton’s work is primarily created with the use of paint skins. Paint is typically applied on glass or plastic and when dry, peeled off and collaged to form layers that represent time and the history of the object or surface. Occasionally the paint skins are cast on existing objects. When the skins are removed they hold a negative image of the item they were created on. The paint skins are usually tempered with combustion and since the paint is applied dry, chisels, blades, saws and other improvised implements are used to structure the paint instead of using a brush or roller.

The result is organic, thick, multi layered impasto works that look as if they have been cut out of one location and implanted onto the wall in front of you. These pieces often utilise text, natural pigments and found objects. The found objects allow a layer of their own narrative and open up new dialogues with the pieces they now find themselves located in.

Born in Auckland, Sefton lives and works in Piha and has been working as a full time artist for the last 6 years. The work presented represents the multiple forms and ideas being mined simultaneously in his studio.